Nieto Sobejano   Germany   Working from offices in Berlin and Madrid, the firm headed by Fuensanta Nieto and Enrique Sobejano has placed first in the invitational competition for a mixed-use complex in the Nippes district of the city of Cologne. Named Tor 2, the 22,000-squar

Nieto Sobejano   France   The Madrid architects Fuensanta Nieto and Enrique Sobejano, in collaboration with the Parisian firm Marin + Trottin Architectes, have finished first in the competition for the Cité du Théâtre in Paris, organized by the French Culture Ministry and thr

Nieto Sobejano   Germany   The Madrid firm of Fuensanta Nieto and Enrique Sobejano has won the competition to enlarge a high-performance ice skating center in the Berlin borough of Lichtenberg. In compliance with functional and technical requirements, the new volume resembles

Nieto Sobejano   Spain   The Madrid practice of Fuensanta Nieto and Enrique Sobejano have won first place in the competition to build a museum in San Felíu de Guíxols (Girona) to house part of Carmen Thyssen's art collection, joining those already existing in Madrid, Málaga,

Nieto Sobejano   United Kingdom   The project is the result of a competition that was organized by the Bristol Royal Infirmary for the purpose of renovating the frontage of its main building, raised in the 1960s. The objective was not only to give the institution a new image, but al

Nieto Sobejano   Austria   Throughout history architecture has tended to be expressed through volumes in difficult relationship with their urban surroundings. The enlargement of the Joanneum Museum, on the contrary, arose with the express intention of acting within the limits

Nieto Sobejano   Spain   Conceived as the fusion of a museum and a park and connected by a series of green spaces in the city, the new building is buried and with its green roof creates a prairie with a sinuous pedestrian path. This green surface is pierced by a group of cyl

Nieto Sobejano   Spain   Architecture is always feeding on images concealed in our memory, ideas that at some point become clear and unexpectedly mark the outset of a project. Perhaps for this reason the echoes of the Hispano-Muslim culture still present in Córdoba have unco

Nieto Sobejano   Austria   The ground surface, the horizontal platform upon which most of our movements in the city occur, is very rarely the generating argument or the spatial support of a project. Perhaps as a result of that yearn for an identity that every new intervention

Nieto Sobejano   Spain   The urban fabric and the natural space often transcend the blurred limits separating them, generating fields of influence, areas of interference between architecture and the landscape. This fact, that in large cities is perceived with even greater di

Nieto Sobejano   Spain   The profile of the new Congress Center, craggy and variable, ascending and descending, sets up a dialogue with the different spaces it contains. The colossal roof wraps the different volumes like a white and gleaming blanket, sheltering an extensive

The Madrid partners Fuensanta Nieto and Enrique Sobejano, in collaboration with the Parisian firm Marin+Trottin, finished first in the bid to design the Cité du Théâtre in Paris, carrying the day over the other two finalists, Foster+Partners and Fabr

The dynamism that is associated with the use of horizontal bands in buildings, as well as with skating as a sport, is the gist of the scheme that has made Fuensanta Nieto and Enrique Sobejano the winners of the competition to enlarge a high-performan

The franchise model has reached museums, and with energy, at least for the Carmen Thyssen Collection, whose homes in Madrid, Barcelona, and Málaga will soon be joined by a fourth one in Girona, thanks to a competition where the Madrid firm Nieto Sobe

The firm of the Madrid architects Fuensanta Nieto and Enrique Sobejano – one of Spain’s most international practices, with a branch in Berlin – recently opened the Arvo Pärt Center in Laulasmaa, 35 kilometers from Tallin. Named after the composer it

Richard Ingersoll   Ivisited some of the works of Fuensanta Nieto and Enrique Sobejano on a three-day journey in mid-December that began in Córdoba, pushed through Mérida to Madrid, and from there to Valladolid and San Sebastián. The climate changed from balmy amid the

Enrique Sobejano   Fuensanta Nieto   The projects we find more interesting, the most lucid works perhaps, are those that seem to emerge from the attempt to connect anomalies, associations of random, arbitrary facts, which are there before us and only need an idea to explain them. But be

Enrique Sobejano   Fuensanta Nieto   La transformación de una antiguo castillo en museo de arte se centra en el respeto a la ruina para fundirse con el lugar y en una cubierta que revela su condición contemporánea.

Contemporary Art Center in Córdoba