(Madrid, 1957)
The result of an international competition, the project emerged from a take on two fundamental observations of the place: the concept of frontality in relation to Karlstor (one of Munich’s medieval city gates)…
A longitudinal volume with clear and precise geometry opens up to create a covered plaza that functions as welcome space. The natural landscape is framed by a large descending stairway that spans the marked topographical difference...
Repetition through variation: both principles are implicit in programs characterized by the recurrence of the same type of space or architectural element. This impression was perhaps our first thought when reading the competition brief for the design
Conceived as a sculpted rock, the project responds to both the urban and the historical context. Located in a central plot occupied by different buildings since the 18th century, it replaces the hotel of 1955, demolished in 2019. A vertical cut runs
Post-war german architecture now enjoys recognition and protection today, which, with the exception of some unique works, it lacked for years, associated with the utilitarianism and pragmatism that prevailed in the reconstruction of the war-devastate
Developed from a afar due to the pandemic, the project reinterprets elements from Chinese tradition, such as the ceramic pieces of the facade which, arranged in the production warehouse, evoke the Terracotta Army of Xian. Located at the foot of Mount
The idea of combining the terms ‘archive’ and ‘avant-garde’ holds within itself a contradiction. The fusion of these two concepts may seem paradoxical at first glance, as an archive is created to safeguard the documentary legacy of the past, while th
It is evident that the practice of architecture cannot encompass all the complex mechanisms that generate the city. However, it possesses a decisive power to transform the urban experience, both in its spatial aspect and in its construction, through
The deep meaning of the concept of ‘building the city’ lies in the ability to generate public space. While the public nature of a place is essentially a consequence of its citizens’ activity, the architect’s responsibility is to create the conditions
The Madrid practice Nieto Sobejano has won the Reimagining the Dallas Museum of Art International Design Competition, carrying the day over five other finalists: David Chipperfield Architects (London); Diller Scofidio + Renfro (New York); Johnston Ma
The Madrid practice of Fuensanta Nieto and Enrique Sobejano has won the international competition to refurbish, restore, and expand St.Clare’s Convent as the new home of the Pontevedra Provincial Museum. Their scheme was selected over those of the ot
Since its construction in 1732, the Blockhaus, situated on the banks of the Elbe River as it flows through Dresden, is one of the key historical buildings in the city. In the competition decided in 2018, the project designed by Fuensanta Nieto and En
The CEU campus Moncloa includes several university buildings raised at different times for education and research. The new Faculty of Humanities and Communication Sciences is located on a triangular site in Madrid’s Colonia Metropolitana. The plot’s
Since the day in September 1908 that a journalist working for La Veu de Catalunya gave the region a name which described its dramatic geography and topography, the Costa Brava – a rugged land of fisherfolk – has honed its image as a paradise by the s
On the outskirts of Hamburg, in the Altona borough, this exhibition building dedicated to the art of writing offers a voyage through the history of pens manufatured by the firm Montblanc, founded in 1906. The outcome of a competition held in 2016, th
This mixed-use complex, which combines residential areas with spaces for art, culture, and work, respectfully blends the industrial brick architecture that was reconstructed during the postwar years with an extension in red concrete...
The Madrid architects Fuensanta Nieto and Enrique Sobejano, in collaboration with the Parisian firm Marin + Trottin Architectes, have finished first in the competition for the Cité du Théâtre in Paris, organized by the French Culture Ministry and thr
The Madrid firm of Fuensanta Nieto and Enrique Sobejano has won the competition to enlarge a high-performance ice skating center in the Berlin borough of Lichtenberg. In compliance with functional and technical requirements, the new volume resembles
The Madrid practice of Fuensanta Nieto and Enrique Sobejano have won first place in the competition to build a museum in San Felíu de Guíxols (Girona) to house part of Carmen Thyssen's art collection, joining those already existing in Madrid, Málaga,
The project is the result of a competition that was organized by the Bristol Royal Infirmary for the purpose of renovating the frontage of its main building, raised in the 1960s. The objective was not only to give the institution a new image, but al
The Madrid architectural office of Fuensanta Nieto and Enrique Sobejano will be renovating and expanding the house-museum of Joaquín Sorolla (Valencia, 1863 – Cercedilla, 1923), known as “the painter of light.” The intervention on the old residence o
Throughout history architecture has tended to be expressed through volumes in difficult relationship with their urban surroundings. The enlargement of the Joanneum Museum, on the contrary, arose with the express intention of acting within the limits
The project for the new Barceló Market is in fact the sum of different interventions: a new urban compound of pieces of different scale and program that will significantly transform this central and very dense area of the city of Madrid. The starting
Fuensanta Nieto & Enrique Sobejano, in dialogue with Luis Fernández-Galiano, presented our double monograph devoted to their practice on 7 March at Fundación Arquia. Experimentation and dialogue are the central axes of Nieto Sobejano’s creative proce
I. A light volume of metal panels supported by thin columns rises in the middle of a dense forest facing the sea, allowing large pine trees to pass through the structure and continue to grow, in an unusual inversion of the image of the cabin suspende
The Madrid partners Fuensanta Nieto and Enrique Sobejano, in collaboration with the Parisian firm Marin+Trottin, finished first in the bid to design the Cité du Théâtre in Paris, carrying the day over the other two finalists, Foster+Partners and Fabr
The dynamism that is associated with the use of horizontal bands in buildings, as well as with skating as a sport, is the gist of the scheme that has made Fuensanta Nieto and Enrique Sobejano the winners of the competition to enlarge a high-performan
The franchise model has reached museums, and with energy, at least for the Carmen Thyssen Collection, whose homes in Madrid, Barcelona, and Málaga will soon be joined by a fourth one in Girona, thanks to a competition where the Madrid firm Nieto Sobe
Architecture is ideas and forms, but both crystallize through matter. While construction is prefigured in the immaterial geometries of the project, it takes shape in the physical world by means of materials and techniques. This entangled relationship
The firm of the Madrid architects Fuensanta Nieto and Enrique Sobejano – one of Spain’s most international practices, with a branch in Berlin – recently opened the Arvo Pärt Center in Laulasmaa, 35 kilometers from Tallin. Named after the composer it
Considering that Jørn Utzon’s architecture is based on a phenomenological and empirical experience that gravitates essentially around perceptive aspects like light, movement, topography, and materials, it may seem illogical to talk about projects whi
Because of the cosmopolitan spirit of Fuensanta Nieto and Enrique Sobejano, combined with an indefatigable, tenacious devotion to the profession, both in actual building and in teaching, they are perhaps the most ‘international’ and prolific members
The projects we find more interesting, the most lucid works perhaps, are those that seem to emerge from the attempt to connect anomalies, associations of random, arbitrary facts, which are there before us and only need an idea to explain them. But be
Ivisited some of the works of Fuensanta Nieto and Enrique Sobejano on a three-day journey in mid-December that began in Córdoba, pushed through Mérida to Madrid, and from there to Valladolid and San Sebastián. The climate changed from balmy amid the
La transformación de una antiguo castillo en museo de arte se centra en el respeto a la ruina para fundirse con el lugar y en una cubierta que revela su condición contemporánea.
Perhaps David Chipperfield had Goethe’s verse “It is in working within limits that the master reveals himself” (“In der Beschränkung zeigt sich erst der Meister.”) in mind when, in one of his very few essays, he stated that “the limits of architectur
Contemporary Art Center in Córdoba
Water gardens in what up to recently were outlying waste lands; cast iron crests carved over an abandoned power plant; birds of steel over airport runways; a huge floating plane adjacent to an old hospital; an enormous window framing the distant moun
Dentro de su colección de libros de arquitectura, la editorial Rueda dedica ahora un volumen a la obra de Fuensanta Nieto y Enrique Sobejano, como ya hiciera el pasado año con la de sus colegas Juan Carlos Sancho y Sol Madridejos (véase Arquitectura