The final wooden house wants to take wood architecture to the limit, and to prove through it that it is possible to do primitive and new architecture simultaneously. One single element – solid cedar blocks – are piled endlessly, generating a prototypical place before architecture became architecture. Aside from creating a strong impact from the point of view of materials, the prisms shape the space through increments of 350 mm, a dimension directly corresponding to the human body. In this way a stepped territory is created, where spatial relationships that would not be possible in a conventional coplanar distribution are explored. There is no distinction between floors, walls, and ceilings. A stretch that was conceived as floor becomes a chair, wall or ceiling depending on the perspective.

Each inhabitant reinterprets space and experiments new sensations of depth depending on their location. It is like a nebulous landscape where the spaces are not divided but blended together, and the different functions occur within these undulations. Wood is at the same time insulation, structure, and furniture, so here, conventional rules of architecture are nullified, achieving a new method that creates continuous conditions... [+]