Noah's Ark: an entrance worthy of a Hollywood decorator of the eighties remaking Quo Vadis, on an Albert Speer-style soft base, separated from each other by a glass element so that the syntactic articulation is clear and the fine culture of the decorator can be seen. A crazy staircase version of The Last Days of Pompeii and pseudo-frescoes on the walls worthy of a suburban maripili who discovered her artistic talents on a getaway with the chief of staff of her office on a charter flight to the Peloponnese. Result: fantastic...[+]