A series of stairways configures the Café and wishes to give a three-dimensional character to an alley in the center of the city, transforming transition spaces into areas in which to stay, spend time and interact socially.
When, more than a century ago, Émile Zola wrote a novel about the turbulent emergence of Haussmann's Paris, he made cafés an important point of reference for his characters. No one could have thought then that this invention coming from the eighteent
Noah's Ark: an entrance worthy of a Hollywood decorator of the eighties remaking Quo Vadis, on an Albert Speer-style soft base, separated from each other by a glass element so that the syntactic articulation is clear and the fine culture of the decor
