The plot lies perpendicular to the reservoir of San Juan, an area with a high degree of protection due to the ecological value of the reservoir, and enjoys privileged views and private access to the water all over its east borderline. The respect tow
Unforlding from a simple grid of alternating squares, the museum intersperses spaces of varying scales in a visitor route, ritual in nature, that evokes the memory of Colombias armed conflict.
Conceived to be an ‘unapparent’ volume, the house is fractured and dislocated in concatenated spaces, bathed in light and open to the landscape, into which it merges.
The project is the result of a restricted competition, convened by the EMVS in the year 2003, in which all the teams had to offer the best solution possible, as long as the parameters of buildable area and number of housing units were kept, and beari
The new Centro de Especialidades de Diagnóstico y Tratamiento (CEDT, or center for diagnosis and treatment specialties) combines in one same building primary care and emergency rooms with specialty care including radiology and surgery, thus helping t
Close to the M-40 beltway, in an area with few urban references within the Madrid district of San Blas, rises this new health center. It is lined up with Pobladura del Valle street, where the two entrances to the building are located. The pedestrian
Variations on a theme are common in art. The genre gives opportunity to test techniques or ideas alongside those of other authors on one same pattern. The architect takes fragments here and there and adapts them to an altogether new work, use, and co
The project ‘Between Earth and Sky,’ carried out by the consortium formed by MGP in Bogotá and Estudio Entresitio in Madrid, is the winner of the international competition to build the National Museum of Memory in the Colombian capital, instituted i
El edificio de viviendas de protección oficial más alto de España acaba de estrenarse. La torre Vallecas 20, en el área de Las Suertes, tiene 22 plantas y una altura total de 74 metros. Sus autores son María y José María Hurtado de Mendoza y César Ji