Eduardo Prieto   From hand to eye, from eye to hand, and either way to architecture. This is the route proposed by Duccio Malagamba in a highly personal but also celebratory book that passes not only through hands and eyes, but also through two time periods: before a

Eduardo Prieto   One way in which those fragments of cosmic dust we call humans have left traces of their time in the world has been by asking questions about the world: why we are here, what this all is, how it works. The first question has resulted in a trunk of kn

Eduardo Prieto   The avant-gardes got us used to thinking of history as made of revolutions: catastrophes forming tabulae rasae for new things. This culmination of the recently deceased Jacques Lucan’s trajectory is based on quite a different idea: more than radical

Juan Calatrava   Vitruvius laid it down that the first requirement of architecture was the firmitas of its material construction, but he did not forget that buildings and cities, and the lives of their inhabitants, are also made of components that cannot be seen, tou

Eduardo Prieto   Nowadays drawing tends to be thought of as an artistic discipline of its own accord, but for a long time it was little more than a tool in the service of art, and it was in technology and science that drawings were considered useful and of value. The

¿Cuáles son los retos culturales, sociales, técnicos y medioambientales que deben afrontar los arquitectos hoy? ¿Qué rasgos caracterizan el pensamiento y la crítica contemporáneos? ¿Cómo son las herramientas para difundir la arquitectura en el ámbito

Eduardo Prieto   “It is at the same time a monograph on the architectural, urbanistic and landscape work of Philippe Rahm, a manifesto for a climatic architecture to face global warming, and a theoretical and practical treatise on the art of building atmospheres.” Su

Eduardo Prieto   The word ‘robot’ evokes certain 20th-century obsessions. For a start, it brings to mind the servile figures if those roboti through which Karel Capek lent weight to the myth, and which found their most amiable expression in the pair of androids of th

Eduardo Prieto   Taxonomy by generations and the observance of centenaries are superstitions of statistical thought, but keep our memory and sense of justice awake, especially when honoring figures whom fashions consign to limbo. This is not fully the case of José Ma

Eduardo Prieto   A species in extinction, a fragile koala still existing even though the ecosystems it thrived in no longer do, architecture criticism has for a while now been facing the question of how to die. Some part of it will take leave of us discreetly, bequea

Eduardo Prieto   Does being modern mean adopting a style, taking on a certain attitude, continuing to exhaust the paths of the avant-gardes, ultimately finding new ways to do old things? Balkrishna Doshi (1927-2023), one of the fathers of architecture in India, is un

Eduardo Prieto   Lumpen people wander the streets of the Quartiere Tuscolano; bicycles wheel from the borgate to the new working-class districts; a helicopter flies over the empty grounds of the Aqua Claudia transporting a Christ statue to St. Peter’s… Such scenes fr

Eduardo Prieto   Crises in publishing, paper supply, reading, humanism, economics, architecture... have jeopardized books, magazines, newspapers, and the usual modes of passing on knowledge. It is no mirage: there is much less reading done now than before, and readin

Eduardo Prieto   Fire, nests, dens, trees, primitive huts, machines, babels: architecture has always inspired metaphorical genealogies – discredited for the most part but maintaining their evocative powers, so the ‘origin’ notion remains valid, even fruitful, as the

Eduardo Prieto   An architect has to have a strong sense of self – a creative ego made of tastes and phobias – to be of any worth, but this personality often ends up in blatant hostility and rivalry with others in the profession. Not the case of Moneo. His selfhood,

Eduardo Prieto   It is hard to think of a contemporary architect who has stirred up so much consensus among colleagues and within the culture world, and even in that world inhabited by the fauna – exotic to many – of the ‘general public.’ The consensus around Siza an

Eduardo Prieto   The movie Mary Poppins portrays the British suffragists as amusing characters, but does remind us that the fight to emancipate women was an English movement. The scene of the Victorian mother marching with her sister-suffragettes to the cry of “Woman

Eduardo Prieto   The ego of architects makes them want their craft to be the world’s oldest (no offense meant to other occupations), to the point of claiming a lineage that goes back not only to Imhotep, the deified pyramid builder, but even to God, who after all, in

Eduardo Prieto   Perhaps the hardest thing in architecture, as in art, lies in that to put in something new, architects have first to gel as persons, build an intellectual biography. Forging an intellect involves both admiring and vilifying, and an example is Iñaki Á

Eduardo Prieto   The battle of ‘modernity’ was waged not only in the field of forms and techniques, but also in that of ideals. It has been necessary to acknowledge that modernity was ‘ideological’ for it to be assessed with detachment, and that the modern ideology h

Eduardo Prieto   When dealing out its gifts, fortune tends to be arbitrary, even irascible, especially when dealt out by critics, who are tainted by subjectivity, or by historians, who are obsessed with taxonomy. Subjectivity and taxonomy are to blame for the fact th

Eduardo Prieto   Bruno Latour was one of the last specimens of a once thriving species now on the brink of extinction: the intellectual. To be precise, he was a typical example of a no less prestigious and no less threatened subclass thereof: the French intellectual.

Eduardo Prieto   It was the best of times, it was the worst of times. It was the Soviet Union in the 1920s and 1930s, the place and years of a utopia so radical it aspired not so much to end the old system of the czars as to upend human nature itself. The new world o

Eduardo Prieto   Vientos, miasmas y arquitectura en el Renacimiento

Salvador Guerrero Eduardo Prieto   Madrid  2020  
Ediciones Asimétricas   - 180 Pages 

Eduardo Prieto   Madrid  2019  
Cátedra   - 444 Pages 

Eduardo Prieto   Sobre el inconsciente del arte y la arquitectura

Eduardo Prieto   Arquitectura, máquinas y cultura moderna

Eduardo Prieto   Redes, no-lugares, naturaleza