What is home? Is it a city? A building? A feeling? This question has for years chased Do Ho Suh. A simple – but not easy – question that has pushed the South Korea-born, London-based artist to look for an answer through his work, on view until 19 Oct
The Japanese artist has created a body of work that may look innocent but is loaded with a complex universe of obsessions, fears, and traumas.
From a spider to a sun, from a crack on the floor to a sea of sunflower seeds, the Turbine Hall at Tate Modern has since the year 2000 hosted spectacular installations of the kind that can take on gigantic dimensions – a rare opportunity – and which
The Danish artist reflects on the role of art in the Anthropocene world as his retrospective exhibition titled ‘In Real Life’ views at Tate Modern.
Sixteen years after The Weather Project, which drew crowds to the Turbine Hall in 2003, Olafur Eliasson (Copenhagen, 1967) returns to the Tate Modern with a retrospective that gathers 40 works completed since 1990. The exhibition includes pieces of d
Kara Walker’s new commission remakes the language of monuments through allusions and references to the slavery age. The Turbine Hall at London’s Tate Modern is a cavernous maw that swallows and spits out all but the most confident artists. Kara Walk
Summer arrives with storms. A telegraphic chronicle of three days in June presents Europe’s fits and starts at a moment of tribulation that awakens old phantoms. In the first volume of his masterly history of the continent (To Hell and Back: Europe 1
Como cada año, el espacio de la antigua sala de turbinas de la Tate Modern se utiliza para exponer la obra de artistas contemporáneos en las Unilever Series. Entre los que han protagonizado estos eventos figuran ya, entre otros, Juan Muñoz y sus gris
Aunque las obras de Marcel Duchamp, Man Ray y Francis Picabia han sido objeto de diferentes monografías y grandes exposiciones antológicas de forma individual, no es frecuente que sus trabajos se analicen como el fruto del fértil intercambio de influ
Nadie puede oír lo que la figura está murmurando al muro. Si te acercas se pueden ver los labios en movimiento, pero no dice nada. Esta proximidad es intimidatoria, quizás más para nosotros que para ella. Se tiene la sensación de haber invadido el es
Ya en el siglo XVIII constató el novelista inglés Samuel Johnson que cuando dos compatriotas suyos se encontraban, de lo primero que hablaban era del tiempo: casi inmediatamente se comunicaban el uno al otro lo que ambos sin duda ya sabían, que hacía
In Spain, the fall term began with Eva Sannum and without Juan Muñoz. The appearance of the Norwegian fashion model in Oslo’s royal wedding and the sudden demise of the Madrid artist in Ibiza wrapped up an August clouded by the tragic tides of Africa
Pregunta: Si se concibe la arquitectura como una metáfora y, por tanto, se indica constantemente la necesidad de la materialización del pensamiento, ¿cómo se puede reintroducir la arquitectura en el pensamiento de un modo no metafórico?...
