Realism and Americanism are two of the main characteristic features of the paintings by Edward Hopper (Nyack, 1882 - New York, 1967), who is considered today one of the most representative figures of 20th century art. During his studies he followed the anti-academicist line of his master Robert Henri at the New York School of Art, and his work reflects both Rembrandt’s treatment of light and the social critique of Manet. His paintings always have a narrative dimension, deriving from his early work as an illustrator, and thanks to this way of introducing the spectator in the story his work has had a significant influence in cinema...[+]