We could start with the Gothic, or perhaps with some Roman extravagance, or even better, with Hellenism, to begin a relationship with fantasy architecture, understanding these as movements that break with the tectonic, rational, and geometrically pure sense of the classics; but rather to seek imbalance, spontaneity, and the free and curvilinear form that bring the necessary artificiality of human construction closer to the dazzling and incomprehensible images of living organisms...