The angel of sound is the breath in stone of the singer, the melody made building of the musician, the materialized speech of the actor on stage.

The fragile workmanship of architecture is the fragility of the singer. Above him, the protective divinity. The body of the angel is made of modeled walls and pieces of glass – who has ever seen the body of an angel –, and looks out onto the facade. The angel's wings, which cross the vault, are warped sheets with a stainless edge. Between them, the sound, whose line begins on the scene, breaks through the facade, splits the wall and ends inside, in a spike...[+]