Europaallee is by far the largest real estate development in the heart of Zurich and lies just beyond the main train station. The site is the final of eight new constructions and is directly adjacent to the multicultural – and rather infamous – distr
The sobriety of the containers that house the big film studios often contrasts with the waste of fantasy and imagination that takes place inside them. Most of the time, these buildings are simply diaphanous and blind boxes that allow the installation
Filmmakers might cast a city as a backdrop, or as an essential character in their cinematic narrative. I recall Stockholm as a distant, haunting witness in Ingmar Bergman’s early films, just as Tokyo lingers in the interiors of Yasujiro Ozu’s hypnoti
A movie that has just premiered in Venice to much applause tells the fictional life story of an architect who flees from a devastated Europe after World War II…
At the mention of The Fountainhead, many will automatically think of the King Vidor movie; others, perhaps most people, will associate it with Gary Cooper; but neither the director nor the leading actor deserves as much recognition as the writer and
The Bilbao-born director has adapted a graphic novel for the big screen and masterfully set the action in the Manhattan of part of his youth…
The premiere of ‘The Boy and the Heron’ inspires a recap of the moving filmography of an animator who creates lyrical fusions of the real and imagined.
Barbie & Oppenheimer
The huge commercial operation that has come with the simultaneous premieres of Barbie and Oppenheimer has even resulted in a tag of its own, ‘Barbenheimer,’ and revived architectures as oneiric as the spaces inhabited by the pink doll and her boyfrie
Lumpen people wander the streets of the Quartiere Tuscolano; bicycles wheel from the borgate to the new working-class districts; a helicopter flies over the empty grounds of the Aqua Claudia transporting a Christ statue to St. Peter’s… Such scenes fr
In movies and TV series, the penchant for bare architecture has produced much footage oscillating between the clean image and the ominous atmosphere.
If every epoch has its own idea of history and thus builds its own museums, ours already has one which exemplarily captures the aspirations of the 20th century: the Academy Museum of Motion Pictures, which Renzo Piano has just completed in Hollywood
The latest film of Wes Anderson (Houston, 1969) pays a unique tribute to the golden years of independent journalism, and in particular to The New Yorker, of which the Anderson is a self-declared fan since his teens. Set in the newsroom of an American
Behind the posters of the films of Pedro Almodóvar or Álex de la Iglesia, the records of Alaska or Miguel Bosé, we find the figure of the Argentinian artist Juan Gatti (Buenos Aires, 1950), author of a large part of the iconography of our country dur
Tuesday’s vote is between the airport and the village. The United States will elect a president, but they will also be choosing between two ways of life and two urban models. The most divided American electorate of the past quarter-century will decid
Peter Weir’s film shows the fictional nature of contemporary life through the saccharin, manicured landscapes of America’s ‘new urbanism’.
En sus orígenes el cine fue un espectáculo raro, una extravagancia destinada a maravillar a los curiosos, junto a la mujer barbuda o a los espeluznantes tragasables. No había locales específicos para aquellas proyecciones: el barracón provisional de
Pregunta: ¿Por qué ha decidido hacer una película sobre un arquitecto? Respuesta: Por muchas razones. La primera, porque el arquitecto ha llegado a convertirse en una especie de chivo expiatorio, especialmente en Gran Bretaña; se le tiene por respon
For the vast majority of people, a personalized home is pure utopia. Nevertheless, Hollywood’s ephemeral architecture has transmitted the evocative power of architectonic language through emphatic compositions that reveal an indivisible nexus between
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