The filmmaker and the architect produce images. Fugitive and permanent. They are entrusted with important budgets. And their choice is decisive in the face of serious financial commitments. To build, to shoot, they must first convince and obtain, if not consensus, at least the green light from a certain number of decision-makers. They face the real thing: they submit to the constraints of technology, economics and time. Finally, they lead a team and are responsible for the work. They are master builders. The architect-creator of images is influenced by the considerable pictorial production of today's world in many fields and particularly in the field of cinema...[+]