Antonio Bonet Castellana   Spain   Antonio Bonet’s career as an architect had precocious beginnings, as he participated in the Athens CIAM while still a student and was an active member of the GATEPAC. Later, while working with Le Corbusier at Rue de Sevres, he cooperated in the build

Óscar Miguel Ares   Marked by his exile in Argentina, where he brought the Modern Movement, Bonet produced a complex and eclectic oeuvre that embraced industrial design, architecture and urban planning.

Luis Fernández-Galiano   We begin to celebrate the centenaries of those who were our masters, and the many anniversaries in 2013 prompts a pixelated portrait of architecture after the First World War with ten biographies of figures born on the eve of the Second. In my case,

2013 is a year of centenaries. We commemorate the birth of ten masters: five Spaniards, one Japanese, one Greek, one Azerbaijan-French and two Argentinians. The Spaniards (José Antonio Coderch, Alejandro de la Sota, Miguel Fisac, Antoni Bonet i Caste

Eloísa de Dios   Veinte casas sirven de ejemplo para ilustrar la arquitectura de la segunda mitad del siglo XX en países como México (Luis Barragán, Max Cetto, Enrique del Moral, Francisco Artigas y Augusto H. Álvarez), Colombia (Guillermo Bermúdez), Venezuela (Carlo

Marta García Carbonero   Puede decirse que Antonio Bonet Castellana empezó a lo grande. Colaborador de Sert y Torres Clavé, representa al GATCPAC en el mítico CIAM de 1933 siendo estudiante, y comienza así una carrera que puede resumirse en sus acrónimos. En París trabaja en

Xavier Arenós   Casa de estudios para artistas

Fernando Álvarez Jordi Roig   Barcelona  1999  
Edicions UPC   - 280 Pages