“A modern architect should know how to design anything, from an object to the streets of the city, because everything is connected.” Such was the vital outlook of Gae Aulenti, an indefatigable precursor whose buildings, installations, and furniture pieces gave her a sure niche in a discipline dominated by men. She was closely tied to the Milan Triennial throughout her life, and the institution is now paying tribute to her oeuvre by means of a show that runs up to 12 January, featuring life-size recreations of fragments of projects that she carried out, all critical towards the modern orthodoxy in the way they assert a more monumental and theatrical character.