If photographers are characterized by the qualities of their gaze, Alastair Philip Wiper would be described as a precise, ironic eye that fluttered around unfrequented, disturbing, unholy places. In Building Stories, his latest album, published like an artist’s book, the Briton explores spaces, shapes, artefacts, and atmospheres of the ‘nuclear’ universe, offering a sheaf of visual narratives protagonized by some of the most astonishing creations that we might call ‘dark modernity’: towns built for nuclear experiments conducted in the Nevada desert, US government decontamination chambers, anti-radiation basements of Las Vegas hotels, the red toilet of the Albanian dictator Hoxha’s bunker.