With the debates on the importance of preserving heritage over and done with, disputes on what was worthy of that pedigree status began. Grand monuments easily made the cut as historical treasures, and then with more effort industrial, modern, and la
Spain takes an ugly turn. The systemic corruption and intellectual anemia of the Franco dictatorship sowed the seed of a story of ambition and abandon that was only reinforced, when the regime ended, by a mediocre political class, and which has led t
For many, this title is an oxymoron. It seems that associating modernity and beauty is as provocative as writing frozen fire or the sound of silence. To use André Bretón’s famous line, “[modern] beauty will be convulsive or will not be at all,” intro
What do we talk about when we talk about beauty? Peter Sloterdijk and Byung-Chul Han are perhaps the two leading philosophers in the current German scene, and the translation into Spanish of The Aesthetic Imperative, a collection of writings on art t
Every avant-garde recognizes itself in modernity, but not all modernity recognizes itself in avant-gardes: thus starts an ‘aesthetic essay’ that explains the complex, often contradictory tenets that gave rise to artistic modernity. ‘Aesthetic essay’
Guillermo Pérez Villalta No he tenido el ánimo de entrar en polémica al escribir el comentario que se me pidió sobre El estilo del relax; no es precisamente el enredo de las palabras mi ámbito. Tampoco he tomado el hábito trágico «del artista persegu
Some architectures have evolved from an epithelial valuation of language to a literal reproposition of traditional techniques as support, which gives greater thickness to the initial decision to break with modern tradition. We thus find ourselves wit
Contemplating from a distance of sixty years this collection of drawings, paintings, photomontages, collages, class exercises, designs and typographies, is an obligatory return to a more or less forgotten roots of our modern culture, to a more or les
The current interest in the figure of Erik Gunnar Asplund is produced, in addition to the intrinsic value of his work, by the multiplicity of readings that it admits. It is a fact that critics and architects of different tendencies find a point of ag
Macaronic classicism The difference between authentic synthesis and superficial pastiche is something to keep in mind when dealing with the subject of postmodern classicism, about which so much has been said and written in recent years. Charles Jenck
Las reacciones contra la corriente posmoderna demuestran que realmente ha dado en el clavo. En efecto, lo que no significa nada no suscita ni entusiasmo ni censura. Detrás de los ataques se halla siempre el temor a aquello que puede poner en peligro
There are times when one is tempted to believe in suprahistorical categories. The announced return to architectural abstraction – proclaimed with great fanfare from the very navel of the elitist culture of our time – makes one think of a repeated and
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