![Herzog & de Meuron](/assets/uploads/publicaciones/29591/pub_mid/av_29591_1.webp?h=fa8e1732)
![](/static/img/loading.gif)
Children take two years to learn to read, and many take a lifetime to have a voice. Especially a writer, who uses such abstract mediums as words, sometimes to inform us, other times to move us, but always to draw us into a special ‘I-me’ from which g
An exhaustive work of documentation, the catalog of the ArkDes exhibition on Sigurd Lewerentz undertakes a revision of his mythical oeuvre.
On view until 28 August at ArkDes, the Swedish Center for Architecture and Design, is ‘Sigurd Lewerentz: Architecture of Death and Life,’ the first exhaustive show on a master who has garnered more recognition posthumously than he ever did while aliv
Sigurd Lewerentz (1885-1975) is one of the modern masters for whom recognition has been late in coming. He was eclipsed by his partner and friend Erik Gunnar Asplund, whom he outlived by thirty-five years, and even so, more years had to pass before h
That climate has a bearing on architecture is a commoplace. Nevertheless, to explain how this bearing has come about is an achievement, and for this the latest books published by Professor Dean Hawkes deserve recognition: two histories of architectur
History has not been fair to Sigurd Lewerentz. He has never fitted the oversimple categories which historians and critics have used to chart the development of modern architecture, and even recent revisionisms have had some difficulty situating his w