Andrés Jaque / Office for Political Innovation   Spain   Office for Political Innovation is the name of the international architectural practice founded by Andrés Jaque – recently appointed Dean of Columbia GSAPP – in 2003. The studio, based in Madrid and New York, works at the intersection of design, rese

Enrique Morillo   With the debates on the importance of preserving heritage over and done with, disputes on what was worthy of that pedigree status began. Grand monuments easily made the cut as historical treasures, and then with more effort industrial, modern, and la

Enrique Morillo   For anyone unfamiliar with Emanuel Christ and Christoph Gantenbein, this publication is useful. If it is true that architects think with eyes, one need not have crossed paths with these Swiss to see that their gaze is inquisitive and sharp. Marking 2

Enrique Morillo   Where most saw nothing but old industrial warehouses, Elena Fuertes, Ramón Martínez, Álvaro Molins, and Jorge Sobejano discovered a field of opportunities to develop their syncretic imaginary. After coinciding at Taller de Casquería, they set up BURR

Enrique Morillo   What makes a house a home? The walls that shape it? The people who live in it? Maybe the objects that adorn it? Answering these seemingly obvious questions has been the obsession or dream of many. So, beyond its purpose as a shelter, ideas on the hou

Enrique Morillo   Perhaps too much has been written on the changes occurred in the profession since the economic crisis. More than a decade later, many of the architects who then faced a desolate panorama, lacking in major commissions, have managed to establish their

Enrique Morillo   Few texts reflect the partnership of architecture and columns than the above lyrics of the Spanish electronic-music duo Las Bistecs. Though vilified by modernity, columns are a fundamental part of history. And beyond their unavoidable structural func

Enrique Morillo   Since the first modern yearnings to merge architecture and industry, many have tried to replace traditional building with serial production. If the success of these projects has up to now been relative, Antón García-Abril and Débora Mesa seek to chan

Enrique Morillo   In the 1970s, John (Berger) overtook John (the Evangelist) and put the gaze before the Word. A half-century later, we are living a time of absolute visual supremacy, and many already perceive fury and fatigue in our sight. But amid all the whining, t

Enrique Morillo   “Our cities are ill.” From Mesopotamian settlements to the medieval city, and especially after the Industrial Revolution, urban cores have altered to accommodate demographic growth and adapt to social advances. But with the exacerbated neoliberal mod

Enrique Morillo   That images are faster than words is a hard-to-refute fact. But it is just as true that, since the classical ekphrasis, visual representations have appeared together with written comments, turning words into usual companions that stress or alter thei

Enrique Morillo   “Why have there been no great women architects?” It seems a good time to rephrase the question with which in 1971 the American historian Linda Nochlin began one of the seminal texts of gender studies and feminist art criticism. The absence is just as

Enrique Morillo   The medium is the message. Marshall McLuhan was saying that the mode through which information is transmitted influences how it is received. This may be why many monographs on architects, at a time when publishing and advertising overlap, are an unre

Enrique Morillo   Ignasi Aballí’s project for the Venice Art Biennale seeks to correct two errors: one having to do with space, the other with time. The first is in the Spanish Pavilion, which he rotates ten degrees to align it with the Belgian and Dutch Pavilions. Th