(Milan, 1955)
Constructed with post-stressed slabs of concrete and clad with a subtle skin of glass and aluminum, the mineral forms of the new building echo the surrounding mountains.
Included in the transformation process under way in the area, the intervention opens up for public use an old industrial precinct of the Fira by way of paths that connect it with the urban fabric. A new plaza generates a pedestrian diagonal street th
Beyond the Grand Canal, toward the edges of the lake, is an everyday, domestic Venice removed from the mask of a city-museum that tourism, literature and movies have recreated with obstination. In the Giudecca quarter, the old grounds of the company