(Bilbao, 1968)
An ascending route takes visitors up to the last floor, where they discover how the museum opens to the landscape. The plaza, previously enclosed, rises to connect with Doña Casilda park, and contains an outdoor amphitheater for cultural events... [+
The area’s conflictivity urges to protect the museum with a huge boundary wall, impassable from the exterior and internally lined with vegetation, visually becoming part of the garden. The longitudinal evenness generated by the vaults is interrupted