One way in which those fragments of cosmic dust we call humans have left traces of their time in the world has been by asking questions about the world: why we are here, what this all is, how it works. The first question has resulted in a trunk of kn
Taxonomy by generations and the observance of centenaries are superstitions of statistical thought, but keep our memory and sense of justice awake, especially when honoring figures whom fashions consign to limbo. This is not fully the case of José Ma
“I love books.” What better way to begin. The author proceeds to specify his adoration: “In particular I love architecture books.” Then: “I love illustrated architecture books.” So it is that John Hill took up the tricky challenge indicated in his su
There are marvels to be found in the corners of maps. “Here be dragons” was the warning on a Renaissance globe regarding the Pacific’s still unexplored coasts, in line with early cartographers’ custom of filling their maps with fantastic creatures ex
The ideas of Vitruvius have been questioned for some time. The figure inscribed within a perfect geometry sums up the worldview that since Leonardo has kept the human being at the center of existence, but on a planet of increasing degradation and ine
Generally more visual than literary, architecture books have recorded and chronicled modernity, while helping to shape its ideas and forms.
The films and the photographers of the last half-century convey an often menacing image of the contemporary city and the new urban territories.
The exhibitions, which marked the emergence of postmodernity or deconstruction, have become more political after the shock of the crisis
Magazines, whose features allow combining the appeal of images with the analysis of texts, have a longer life than criticism in newspapers.
Más que un museo, Berlín es un compendio de arquitectura. Pero a pesar de que la capital alemana ha sido un importante campo de experimentación desde los albores de la modernidad, su tejido urbano acusa aún las fracturas y discontinuidades que los co
Este canon coral no es un canon pacífico. El catedrático Juan Antonio Ramírez ha reunido a un numeroso grupo de colaboradores para escribir una historia del arte renovada; y el resultado del empeño es una cartografía fresca y provocadora de un territ
Sam Lubell Greg Goldin
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Maristella Casciato (ed.) 1951
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Pablo Dacal Gutiérrez 1953-º973
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Miguel Fisac
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José María García de Paredes
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John Gage (World of Art)
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Luis Fernández-Galiano Críticas y crónicas
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Diego Peris Sánchez 1943-2006
Diego Peris Sánchez 1942-1991
José Tono Martínez
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