After sojourns in Alcoi and Avilés, it is the turn of the Valencian Institute of Modern Art to host the complete exhibition that commemorates the centenary of the birth of Juana Francés, the only female member of El Paso, a collective of Spanish abstract expressionists that she would eventually distance herself from, seeing her art belittled for the very fact that she was a woman. Both on her own and in company, the Alicante-born painter contributed instrumentally to the transformation of the visual arts during the gray years of Francoist rule, in an incessant experimentation with matter and gesturality that she tirelessly kept up until her demise in 1990.