Alberto Corazón amazed me from the moment I met him because of the breadth of his views in the professional horizons upon which his inquisitive eye was directed, the enthusiasm with which, like a daring argonaut of polyhedral creation, he took in the stimuli of visual and artistic culture to cross the thresholds of little explored terrains in his facets as graphic or objectual designer, ‘conceptual’ artist, cultural editor and animator, sculptor, painter, or refined writer. He never made a secret of his ambition, nor concealed the satisfaction he derived from changings roles, from moving around like a nomad – with both pertinence and audacity – in parallel or crisscrossing directions, in uses and usufructs of different techniques and means of expression...
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