Chromatic facades, attention to context, and energy efficiency define a socially engaged oeuvre that is sensual and rigorous at the same time.
En letras amarillas sobre las puertas de entrada de la Neue Nationalgalerie berlinesa se lee ‘Content’. Rem Koolhaas no ha podido elegir un título más discreto para esta exposición retrospectiva sobre su obra, que ha coincidido con la inauguración de
It’s as if we had already forgotten the great changing of times. The excitement brought on by the three zeroes of the year 2000 has died down so quickly that we have ceased to reflect on the turn of millennium that still lies ahead of us. In the 150