Perhaps overly presented as a sculptor of matriarchal spiders and tortured bodies, the French-American Louise Bourgeois was in fact also a prolific painter who knew how to capture her most intimate thoughts and exorcise her traumas with the same ease
Louise Bourgeois was a retrospective artist. Acknowledgment of her by her equals in the world of art came when she was already sixty years old, and popularity in the sphere of the general public, at ninety. As if in service of poetic justice, when re
Georges Pérec decía que «vivir es pasar de un lugar a otro procurando tropezar lo menos posible». Los comisarios de la exposición marsellesa ‘50 especies de espacios’—abierta al público hasta el 30 de mayo de 1999— dan al visitante la oportunidad de