![Dossier Junya Ishigami](/assets/uploads/publicaciones/29149/pub_mid/av_29149_1.webp?h=441d7c06)
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The building’s form is carved out of a stone prism, faceting the surfaces and perforating the interior to let natural light come in through courtyards and skylights, which organize the indoor exhibition itineraries...
A gentle slope leads visitors from a large outdoor space to the interior of the building. Once inside, a series of translucent screens nuance the intensity of the shadows, making reference to Plato’s Allegory of the Cave...
The proposal tries to reduce the presence of the building to a single artistic gesture. It conceals all the spaces under the forest except for a narrow band of 200 meters that at night lights up, taking on amber hues that herald its presence from the
Like a crack in the ground, the project finds its place along the boundary of two different landscapes: the wooded hill and the valley. In this partially burrowed position, the exhibition spaces recreate the experience of exploring a cave...