The simultaneous release in 2021 of translations of books by Colin St John Wilson and Kenneth Frampton, both on dissident modernities, is reason to revise the architectural canons of the past century, and a coinciding volume by José Ignacio Linazasor
James Stirling belonged to a generation whose mission it was to consolidate the accomplishments of the architectural avant-garde that had emerged in the Twenties, but at the same time to recover the initiative that the speculative boom of the Sixties